Bullfights are an
integral part of many
fiestas. In the south,
especially, any village
that can afford it will
put on a corrida for an
afternoon, while in big
cities like Madrid or
Sevilla, the main
festival times are
accompanied by a week-long
(or more) season of
prestige fights.
Los Toros , as
Spaniards refer to
bullfighting, is big
business. It is said
that 150,000 people are
involved, in some way,
in the industry, and the
top performers, the
matadores , are
major earners, on a par
with the country's
biggest pop stars. There
is some opposition
to the activity from
animal welfare groups
but it is not widespread:
if Spaniards tell you
that bullfighting is
controversial, they are
likely to be referring
to practices in the
trade. In recent years,
bullfighting critics (who
you will find on the
arts and not the sports
pages of the newspapers)
have been expressing
their perennial outrage
at the widespread but
illegal shaving of bulls'
horns prior to the
corrida . Bulls'
horns are as sensitive
as fingernails, and
filing them a few
millimetres deters the
animal from charging;
they affect the bull's
balance, too, further
reducing the danger for
the matador .
Notwithstanding such
abuse (and there is
plenty more), Los
Toros remain popular
throughout the country.
To aficionados (a
word that implies more
knowledge and
appreciation than
"fan"), the bulls are a
culture and a ritual -
one in which the
emphasis is on the way
man and bull "perform"
together - in which the
arte is at
issue rather than the
cruelty. If pressed on
the issue of the
slaughter of an animal,
they generally fail to
understand. Fighting
bulls are, they will
tell you, bred for the
industry; they live a
reasonable life before
they are killed, and, if
the bullfight went, so
too would the bulls.
If you spend any time
at all in Spain during
the season (which
runs from March to
October), you will
encounter Los Toros
on a bar TV - and that
will probably make up
your mind whether to
attend a corrida
. If you decide to go,
try to see a big,
prestigious event, where
star performers are
likely to despatch the
bulls with "art" and a
successful, "clean" kill.
There are few sights
worse than a matador
making a prolonged and
messy kill, while the
audience whistles and
chucks cushions over the
barrera . If you
have the chance to see
one, the most exciting
and skilful events are
those featuring
mounted matadores ,
or rejoneadores ;
this is the oldest form
of corrida ,
developed in Andalucía
in the seventeenth
century.
Established and
popular matadores
include the veteran
Enrique Ponce, César
Rincón, Victor Mendes,
Joselito, Litri, David
"El Rey" Silveti and
José María Manzanares.
Two newer stars are
Sevilla's golden boy,
Antonio Bareas, and the
18-year-old prodigy
Julián "El Juli" López.
Cristina Sánchez, the
first woman to make it
into the top flight for
many decades, retired in
1999, blaming sexist
organizers, crowds and
fellow matadores -
many of whom refused to
appear on the same bill
as a woman. A complete
guide to bullfighting
with exhaustive links
can be found at
www.mundo-taurino.org
.
The corrida
The corrida
begins with a
procession , to the
accompaniment of a
paso doble by the
band. Leading the
procession are two
algauziles or
"constables", on
horseback and in
traditional costume,
followed by the three
matadores , who will
each fight two bulls,
and their cuadrillas
, their personal "team",
each comprising two
mounted picadores
and three
banderilleros . At
the back are the mule
teams who will drag off
the dead bulls.
Once the ring is
empty, the algauzil
opens the toril
(the bulls' enclosure)
and the first bull
appears - a moment of
great physical beauty -
to be "tested" by the
matador or his
banderilleros using
pink and gold capes.
These preliminaries
conducted (and they can
be short, if the bull is
ferocious), the
suerte de picar
ensues, in which the
picadores ride out
and take up position at
opposite sides of the
ring, while the bull is
distracted by other
toreros . Once they
are in place, the bull
is made to charge one of
the horses; the
picador drives his
short-pointed lance into
the bull's neck, while
it tries to toss his
padded, blindfolded
horse, thus tiring the
bull's powerful neck and
back muscles. This is
repeated up to three
times, until the horn
sounds for the
picadores to leave.
Cries of " fuera!
" (out) often greet the
overzealous use of the
lance, for by weakening
the bull too much they
fear the beast will not
be able to put up a
decent fight. For many,
this is the least
acceptable stage of the
corrida, and it is
clearly not a pleasant
experience for the
horses, who have their
ears stuffed with
oil-soaked rags to shut
out the noise, and their
vocal cords cut out to
render them mute.
The next stage, the
suerte de banderillas
, involves the placing
of three sets of
banderillas
(coloured sticks with
barbed ends) into the
bull's shoulders. Each
of the three
banderilleros
delivers these in turn,
attracting the bull's
attention with the
movement of his own body
rather than a cape, and
placing the
banderillas whilst
both he and the bull are
running towards each
other. He then runs to
safety out of the bull's
vision, sometimes with
the assistance of his
colleagues.
Once the
banderillas have
been placed, the
suerte de matar
begins, and the
matador enters the
ring alone, having
exchanged his pink and
gold cape for the red
one. He (or she) salutes
the president and then
dedicates the bull
either to an individual,
to whom he gives his hat,
or to the audience by
placing his hat in the
centre of the ring. It
is in this part of the
corrida that
judgements are made and
the performance is
focused, as the
matador displays his
skills on the (by now
exhausted) bull. He uses
the movements of the
cape to attract the bull,
while his body remains
still. If he does well,
the band will start to
play, while the crowd
olé each pass. This
stage lasts around ten
minutes and ends with
the kill. The matador
attempts to get the bull
into a position where he
can drive a sword
between its shoulders
and through to the heart
for a coup de grâce
. In practice, they
rarely succeed in this,
instead taking a second
sword, crossed at the
end, to cut the bull's
spinal cord; this causes
instant death.
If the audience are
impressed by the
matador 's
performance, they will
wave their handkerchiefs
and shout for an award
to be made by the
president. He can award
one or both ears, and a
tail - the better the
display, the more pieces
he gets - while if the
matador has
excelled himself, he
will be carried out of
the ring by the crowd,
through the puerta
grande , the main
door, which is normally
kept locked. The bull,
too, may be applauded
for its performance, as
it is dragged out by the
mule team.
Tickets for
corridas are ¬18 and
up - much more for the
prime seats and
prestigious fights. The
cheapest seats are
gradas , the highest
rows at the back, from
where you can see
everything that happens
without too much of the
detail; the front rows
are known as the
barreras . Seats are
also divided into sol
(sun), sombra
(shade), and sol y
sombra (shaded after
a while), though these
distinctions have become
less crucial as more and
more bullfights start
later in the day, at 6
or 7pm, rather than the
traditional 5pm. The
sombra seats are
more expensive, not so
much for the spectators'
personal comfort as the
fact that most of the
action takes place in
the shade. On the way
in, you can rent
cushions - two hours
sitting on concrete is
not much fun. Beer and
soft drinks are sold
inside.
Anti-bullfight
organizations
Spain's main opposition
to bullfighting is
organized by ADDA
(Asociación para la
defensa del animal).
They co-ordinate the
Anti-Bullfight Campaign
(ABC) International and
also produce a quarterly
newsletter in Spanish
and English. Their
bilingual website -
intercom.es/adda/ -
has information about
international campaigns
and current actions.
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