Like Maó,
CIUTADELLA
sits
high
above
its
harbour.
Here,
though,
navigation
is far
more
difficult,
up a
narrow
channel
too
slender
for all
but the
smallest
of cargo
ships.
Despite
this
nautical
inconvenience,
Ciutadella
has been
the
island's
capital
for most
of its
history.
The
Romans
chose it,
the
Moors
adopted
it as
Medina
Minurka
, and
the
Catalans
of
la
reconquista
flattened
the
place
and
began
all over
again.
In 1558,
the
Catalan-built
town was,
in its
turn,
razed by
Turkish
corsairs.
Several
thousand
captives
were
carted
off to
the
slave
markets
of
Istanbul,
but the
survivors
determinedly
rebuilt
Ciutadella
in grand
style,
its
compact,
fortified
centre
brimming
with the
mansions
of the
rich. To
the
colonial
powers
of the
eighteenth
century,
however,
Ciutadella's
feeble
port had
no
appeal
when
compared
with
Maó's
magnificent
inlet.
In 1722
the
British
moved
the
capital
to Maó,
which
has
flourished
as a
trading
centre
ever
since,
and
Ciutadella
stagnated
- a
long-lasting
economic
reverie
that
has,
fortunately,
preserved
its old
and
beautiful
centre
as if in
aspic.
The bulk
of the
Menorcan
aristocracy
remained
in
Ciutadella,
where
the
colonial
powers
pretty
much
left
them to
stew -
an
increasingly
redundant,
landowning
class
far from
the
wheels
of
mercantile
power.
Consequently,
there's
very
little
British
or
French
influence
in
Ciutadella's
architecture
;
instead,
the
narrow,
cobbled
streets
boast
fine old
palaces,
hidden
away
behind
high
walls,
and a
set of
Baroque
and
Gothic
churches
very
much in
the
Spanish
tradition.
Essentially,
it's the
whole
architectural
ensemble
that
gives
Ciutadella
its
appeal
rather
than any
specific
sight,
and
that,
together
with
some
excellent
restaurants
and an
adequate
supply
of
hostales
and
hotels,
makes
this a
lovely
place to
stay.
Allow at
least a
couple
of days,
more if
you seek
out one
of the
beguiling
cove
beaches
within
easy
striking
distance
of town:
Cala
Turqueta
is the
pick of
the
bunch.
The
Town
Ciutadella's
compact
centre
crowds
around
the
fortified
cliff
face
shadowing
the
south
side of
the
harbour.
The main
plazas
and
points
of
interest
are
within a
few
strides
of each
other,
on and
around
the main
square,
Plaça
d'es
Born
, in the
middle
of which
is a
soaring
obelisk
commemorating
the
futile
defence
against
the
Turks in
1558. On
the
western
side of
the
square
stands
the
ajuntament
, whose
nineteenth-century
arches
and
crenellations
mimic
Moorish
style,
purposely
recalling
the time
when the
site was
occupied
by the
wali's
Alcázar
(palace).
In the
square's
northeast
corner,
the
massive
Palau
Torresaura
, built
in the
nineteenth
century
but
looking
far
older,
is the
grandest
of
several
aristocratic
mansions
edging
the
plaza.
Embellished
by self-important
loggias,
its
frontage
proclaims
the
family
coat of
arms
above a
large
wooden
door
giving
onto an
expansive
courtyard.
The
antique
interior,
however,
is off
limits,
as the
house is
still
owner-occupied
- like
most of
its
neighbours.
From
Palau
Torresaura,
c/Major
d'es
Born
leads to
the
Cathedral
(Mon-Sat
8am-1pm
&
6.30-9pm;
free),
built by
Alfonso
III at
the end
of the
thirteenth
century
on the
site of
the
chief
mosque.
So soon
after
the
Reconquest,
its
construction
is
fortress-like,
with
windows
set high
above
the
ground -
though
the
effect
is
somewhat
disturbed
by the
flashy
columns
of the
Neoclassical
west
doorway,
the
principal
entrance.
Inside,
light
from the
narrow,
lofty
windows
bathes
the high
altar in
an
ethereal
glow,
the
hallmark
of the
Gothic
style.
There's
also a
wonderfully
kitschy,
pointed
altar
arch,
and a
sequence
of
glitzily
Baroque
side
chapels.
Cutting
down
c/Roser
from the
cathedral,
you'll
pass the
tiny
Església
del
Roser
, whose
striking
Churrigueresque
facade,
dating
from the
seventeenth
century,
boasts a
quartet
of
pillars
engulfed
by
intricate
tracery.
The
church
was the
subject
of
bitter
controversy
when the
British
commandeered
it for
Church
of
England
services
- not at
all to
the
liking
of the
Dominican
friars
who
owned
the
place.
At the
end of
c/Roser,
turn
left
past the
palatial,
seventeenth-century
mansion
of
Can
Saura
, which
is
distinguished
by its
elegant
stonework,
and then
left
again
for c/Seminari
and the
Museu
Diocesà
de
Menorca
(Tues-Sat
10.30am-1.30pm,
plus
May-Sept
Sun
10.30am-1.30pm;
¬1.80),
housed
in an
old and
dignified
convent.
Inside,
the
convent
buildings
surround
an
immaculately
preserved
Baroque
cloister,
whose
vaulted
aisles
sport
coats of
arms and
religious
motifs.
The
museum's
collection
is
distributed
chronologically,
and the
first
three
rooms
hold the
most
interesting
pieces -
a
hotchpotch
of
Talayotic
and
early
Classical
archeological
finds,
notably
a
superbly
crafted,
miniature
bull and
a
similarly
exquisite
little
mermaid,
both
Greek
bronzes
dating
from the
fifth
century
BC.
Behind
the
museum
lies the
mercat
(market),
on Plaça
Llibertat,
another
delightful
corner
of the
old town,
where
fresh
fruit,
vegetable
and fish
stalls
mingle
with
lively
and
inexpensive
cafés
selling
the
freshest
of
ensaimadas
.
Alternatively,
c/Seminari
proceeds
north to
intersect
with the
narrow,
pedestrianized
main
street
that
runs
through
the old
town -
here
c/J.M.
Quadrado
though
it goes
under
various
names
along
its
route.
To the
east of
this
intersection,
it
boasts a
block of
whitewashed,
vaulted
arches,
Ses
Voltes
,
distinctly
Moorish
in
inspiration
and a
suitable
setting
for
several
attractive
shops
and busy
cafés.
Carrer
J.M.
Quadrado
then
leads
into
Plaça
Nova
, a
minuscule
square
edged by
some of
the most
popular
pavement
cafés in
town.
Continuing
east
along c/Maó,
you
leave
the
cramped
alleys
of the
old town
at Plaça
Alfons
III .
Retracing
your
steps
along
c/J. M.
Quadrado,
turn
north
down
c/Santa
Clara
for the
five-minute
walk to
the
Museu
Municipal
(mid-April
to Oct
Tues-Sat
11am-2pm
&
7-10pm,
Sun
7-10pm;
Nov-April
Tues-Sat
10am-2pm;
¬1.80),
inhabiting
part of
the old
city
fortifications
at the
end of
c/Portal
de Sa
Font.
Inside
the
museum,
a long
vaulted
chamber
is given
over to
a wide
range of
archeological
finds,
amongst
which
there's
a
substantial
collection
of
Talayotic
remains,
featuring
artefacts
garnered
from all
over the
island
and
covering
the
several
phases
of
Talayotic
civilization.
A
leaflet
detailing
the
exhibits
in
English
is
available
free at
reception.